Showing posts with label Barry Gordy. Show all posts
Showing posts with label Barry Gordy. Show all posts

Sunday, June 9, 2013

Hitsville – Black Music Capital USA

th (11)The month of June is dedicated to Black Music Month, which is as profound to the African America Diaspora as Black History Month. Music is a world all to itself and we all understand it. Some say it is the greatest communicator. There was a building that became a town called Hitsville known as Motown that changed that world.

If we were to begin way back in the cradle of civilization centuries ago it all began with the drum. When we were captured and brought to the so-called New World where we brought with us the rhythms that dictated our souls. It is a fact that African American people are responsible for creating the great music genres known as Jazz, Gospel, Blues, Soul, R&B, Rap, Hip Hop, and just about every musical sound we hear that directly speaks to our glorious past.

During the despicable era of slavery and segregation prior to the Civil Rights Movement the hallowing sounds of gospel music delivered an in-your-face sound that fed the souls of a people and that outlet produced some of the most timeless music ever created. Before I go further, let’s remember that it was Michael Jackson whose music video was the first black music to air on MTV just a short while ago.

This brings me to the historic and game-changing record label – Motown and its founder Mr. Barry Gordy. Let’s be honest, can you imagine a world without “The Motown Sound”? For many who don’t know or have forgotten, prior to Motown Records rarely did you see the face of an African American on the cover of an album or black music heard on mainstream radio. The music we enjoyed and others stole was called “Race Music”. As strange as seems it was segregated in the same way America was prior to 1960s when Motown was founded. Prior to Motown few black performers enjoyed anything close to crossover success. By the way, an album is what was used to play music before CD’s and MP3’s.

Motown was the first record label owned by an African American to primarily feature African-American artists and its soul-based subsidiaries were the most successful proponents of what came to be known as The Motown Sound, which was a style of soul music with a distinct influence and soul touching flavor. From its Hitsville U.S.A building on 2648 West Grand Boulevard, Detroit, Michigan that served as Motown’s headquarters produced the most universally recognized stable of songwriters and performers of our time or anytime.

The music produced by Motown made a nation of people living in this nation without a nationality proud with its awe-inspiring run of hits that spoke to the essence of our souls. Form a tiny little basement studio we were introduced to Michael Jackson, the Supremes, Diana Ross, Smokey Robinson, the Miracles, Mary Wells, Marvin Gaye, the Temptations, Four Tops, the Commodores, Lionel Richie, Stevie Wonder, Jr. Walker and the All Stars, David Ruffin, Eddie Kendricks, Gladys Knight and the Pips, Rick James, Nick Ashford and Valerie Simpson, Teena Marie, DeBarge, the Jackson Five, Martha and the Vandellas, the Marvelettes and Motown’s Funk Brothers studio band; just to name a few of the artists that graced our souls and touched our hearts making us proud.

Many of Motown’s best-known hits were written by Smokey Robinson, Barrett Strong, Norman Whitfield and the songwriting trio of Holland-Dozier-Holland who became major forces in the music industry. For example, it’s a known fact in the music industry that in order to get a number one hit song someone would have to write more than thirty songs. Holland-Dozier-Holland had a string of more than fifty hits in a row with some becoming number one with several different artists like the hit “I heard it through the Grapevine”. This is profound and will never happen again. No songwriter will ever achieve this feat – guaranteed.

Although Mr. Gordy sold Motown and it’s now in the hands of others its legacy resides in a very special place in my heart. I’m sure with you and millions around the world as well. So again I say, thank you Motown for the music, the love, the magic, and the many great memories.

Lastly, to the legends who are no longer able to perform for us today – thank you for your contribution – Rest in Peace. My guess is that they are walking around heaven all day singing with gleeful harmony the same way as it touched our souls when they were with us in this earthly realm. It must make haven more glorious and wonderful than one could ever imagine. And that’s my Thought Provoking Perspective...




Saturday, September 8, 2012

Troubled Man

Music has been made, in some form or another, since mankind first beat the drum and hummed the first tune or made the first sound; and just for the record it was done first by black people. Of course, we know that music has been sung and written for every genre. But, I will tell you that nobody did it better than the stable of artists assembled by Mr. Barry Gordy founder of Motown Records.

I don’t have enough paper to name all of the stars who made all that great music or list the catalog of hits that were produced. To give you an idea, I’ll just mention a few: Michael Jackson, Dianna Ross, Smokey Robinson, Steve Wonder, The Temptations, Supremes, Lionel Richie, and I could go on and on! But I want to pay homage to the most profound, and maybe the most troubled, of them all – Marvin Gaye.

Though this writing I won’t get into the life problems of the man because most of us know the story. What I want to do is speak to the genius of the man and of course as we know there is a thin line between genius and insanity. It is not that I’m saying that Marvin was insane, rather as he said himself – troubled! Marvin made wonderful music with groups, solo, and with great female artists such as Tammie Terrell, Kim Weston, Dianna Ross, and Mary Wells.

What I want to do is to remind you of the timeless impact Marvin had on all of us. It was on June 10, 1970, when Marvin returned to the Hitsville U.S.A. studios to record a new composition, “What’s Going On”, inspired by an idea from Renaldo “Obie” Benson of the Four Tops after he witnessed an act of police Brutality at an anti-war rally in San Francisco. Marvin later played the song to Berry Gordy, who refused to release it due mainly to its jazz-oriented sound, which Gordy labeled "outdated". As a result, Marvin refused to record unless Motown released the song.

The song was released on January 17, 1971 and quickly shot to number-one on the R&B charts within a month staying there for five weeks, also reaching number-two on the Billboard pop chart and number-one on Cashbox's pop chart for a week, selling over a million copies. Emboldened by its success, Motown then allowed Marvin to record a full album. The album became Gaye's first million-selling album and featured two more top-ten hits, “Mercy Mercy Me (The Ecology)” and “Inner City Blue”.

The album made history as it became one of Motown's first autonomous works, without the help of Motown's staff producers. Its themes and segue flow brought the concept album format to rhythm and blues music. The album was later hailed as "the most important and passionate record to come out of soul music, delivered by one of its finest voices".

What makes the “What’s Going On” album significant is that it because the most socially conscience and profound recording of all times and it stands the test of time. Meaning, you can play it today as we face the same issues as we did in 1971 and “What’s Going On” is as relevant today as it was forty-years ago. With that said, shouldn’t we listen to the tune again and make an effort to change the world from what it used to be. And that’s my Though Provoking Perspective…

http://johntwills.com

Saturday, February 25, 2012

The Music Factory

There was once a time, not too long ago, when the music African American’s created was rarely heard by the masses and the great music African American performers created was not allowed to be played on the radio. Yet, the white performers stole this music. So many of those African America performers never made much money, if any as a result, and I am stopping short of calling this crime what it was.

Then came a man name Berry Gordy who changed the face of music and I, for one, would like to take this opportunity pay homage. THANK YOU Mr. Gordy for Motown, your vision and contribution to the world.

Most people do not know or remember that prior to Motown Records few black performers enjoyed anything close to crossover success. Their music was, then, called “race music” and was segregated in the same manner as the rest of America prior to 1959, when Motown was founded. Let me also remind you that rarely could the face of a black person be seen on an album cover prior to Motown’s founding. By the way, an album is what was used for music before CD’s.

Motown was the first record label owned by an African American to primarily feature African American artists and its soul-based subsidiaries were the most successful proponents of what came to be known as “The Motown Sound”. This was a style of soul music with a distinct influence on all who heard it. From its Hitsville U.S.A Building on 2648 West Grand Boulevard, Detroit, Michigan that served as Motown's headquarters. The label produced the most universally recognized stable of songwriters and performers of our time or anytime.

Form this tiny little basement studio the world was introduced to Michael Jackson, the Supremes, Diana Ross, Smokey Robinson, the Miracles, Mary Wells, Marvin Gaye, the Temptations, Four Tops, the Commodores, Lionel Richie, Stevie Wonder, Jr. Walker and the All Stars, David Ruffin, Eddie Kendricks, Gladys Knight and the Pips, Rick James, Nick Ashford and Valerie Simpson, Teena Marie, DeBarge, the Jackson Five, Martha and the Vandellas, the Marvelettes and Motown's Funk Brothers studio band just to name a few of the artists that graced our souls and touched our hearts making us proud.

Many of Motown's best-known hits were written by Barrett Strong, Norman Whitfield and the songwriting trio of Holland-Dozier-Holland who became major forces in the music industry. For example, it’s a known fact in the music industry that in order to get a number one hit song someone would have to write more than thirty songs. Holland-Dozier-Holland had a string of more than fifty hits in a row with some becoming number one with several different artists, like the hit “I heard it through the Grapevine”. This is profound and will never happen again. No songwriter will ever achieve this feat – guaranteed.

Although Mr. Gordy sold Motown and it’s now in the hands of others, its legacy resides in a very special place in my heart and I’m sure millions around the world. So again I say, thank you Motown for the music, the love, the magic, and the many great memories. Lastly, to the legends that are no long able to perform for us today - thank you for your contribution - Rest in Peace. I know you are walking around heaven all day listening to the harmony of your souls must make haven more glorious and wonderful than I could ever imagine.

And that’s my Thought Provoking Perspective…


"Just a Season"

Legacy – A New Season is coming!

Monday, June 13, 2011

A Salute to Black Music Month - Motown


This month, Black Music Month, is as profound to the African America Diaspora as Black History Month. We are the inventors and creators of sounds that changed world cultures.

If we were to begin way back in the cradle of civilization centuries ago it all began with the drum. When we were captured and brought to the so-called New World we brought with us the rhythms that dictate our souls. It is a fact that African American people are responsible for the great music known as Jazz, Gospel, Blues, Soul, R&B, Rap, Hip Hop, and just about every musical sound we hear that featured and directly speak to the glorious past.

During the despicable era of slavery and segregation prior to the Civil Rights Movement the hallowing sounds of gospel music delivered an in-your-face sound that fed the souls of a people and that outlet produced some of the most timeless music ever created. Before I go further, let’s remember that it was Michael Jackson whose music video was the first black music to air on MTV.

This brings me to historic and game-changing record label - Motown and its founder Mr. Barry Gordy. Let's be honest, can you imagine a world without The "Motown Sound". For many who don’t know or have forgotten, prior to Motown Records rarely did you see the face of an African American on the cover of an album or black music heard on white radio. The music we enjoyed was called “race music” and it was segregated in the same way America was prior to 1959, when Motown was founded. Prior to Motown Records few black performers enjoyed anything close to crossover success. By the way, an album is what was used to play music before CD’s.

Motown was the first record label owned by an African American to primarily feature African-American artists and its soul-based subsidiaries were the most successful proponents of what came to be known as The Motown Sound, which was a style of soul music with a distinct influence. From its Hitsville U.S.A building on 2648 West Grand Boulevard, Detroit, Michigan that served as Motown's headquarters produced the most universally recognized stable of songwriters and performers of our time or anytime.

The music produced by Motown made a nation of people living in this nation without a nationality proud with its awe-inspiring run of hits that spoke to the essence of our souls. Form a tiny little basement studio we were introduced to Michael Jackson, the Supremes, Diana Ross, Smokey Robinson, the Miracles, Mary Wells, Marvin Gaye, the Temptations, Four Tops, the Commodores, Lionel Richie, Stevie Wonder, Jr. Walker and the All Stars, David Ruffin, Eddie Kendricks, Gladys Knight and the Pips, Rick James, Nick Ashford and Valerie Simpson, Teena Marie, DeBarge, the Jackson Five, Martha and the Vandellas, the Marvelettes and Motown's Funk Brothers studio band; just to name a few of the artists that graced our souls and touched our hearts making us proud.

Many of Motown's best-known hits were written by Smokey Robinson, Barrett Strong, Norman Whitfield and the songwriting trio of Holland-Dozier-Holland who became major forces in the music industry. For example, it’s a known fact in the music industry that in order to get a number one hit song someone would have to write more than thirty songs. Holland-Dozier-Holland had a string of more than fifty hits in a row with some becoming number one with several different artists like the hit “I heard it through the Grapevine”. This is profound and will never happen again. No songwriter will ever achieve this feat – guaranteed.

Although Mr. Gordy sold Motown and it’s now in the hands of others its legacy resides in a very special place in my heart. I’m sure with you and millions around the world as well. So again I say, thank you Motown for the music, the love, the magic, and the many great memories.

Lastly, to the legends who are no longer able to perform for us today - thank you for your contribution - Rest in Peace. My guess is that they are walking around heaven all day singing with gleeful harmony the same way as it touched our souls when they were with us in this earthly realm. It must make haven more glorious and wonderful than I could ever imagine. And that’s my Thought Provoking Perspective.

JUST A SEASON