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In 1965, he became involved in the Black Nationalist poetry and literature scenes. Baraka then moved to Manhattan, where, in addition to attending Columbia University and The New School, he became a prominent artist in the Greenwich Village scene and befriended Beat poets such as Allen Ginsberg and Jack Kerouac. He published their and other poets' work in the newly founded Totem Press.
In 1961, Baraka published his first major collection of poetry, Preface to a Twenty Volume Suicide Note. His 1964 play, The Dutchman, which addressed racial tensions and American blacks' repressed hostility toward whites, gained him fame and acclaim.
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Baraka fully immersed himself in Newark, becoming a leader of the city's African-American community. In 1968, Baraka became a Muslim and added the prefix Imamu, meaning "spiritual leader," to his name. In 1974, however, he dropped the prefix, identifying as a Marxist.
Baraka is known for his aggressive, incendiary style. His writing is controversial and has often polarized readers. His poem "Somebody Blew up America," a response to the attacks against the United States on September 11, 2001, was criticized for being anti-Semitic. His position as New Jersey's poet laureate was stripped as a result of public outcry against the poem.
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It is said that we are judged by the work we do - Dear Brother your work speaks for you. Thank you for your commitment in the struggle. Your voice for the voiceless, even if they could not understand your words; you voice was heard and you will be sorely missed. And that’s my thought provoking perspective…
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