At The Crossroads

It is a great joy to share the glorious past of the ghost of the greats whose shoulders. One of which is the story of the great Delta Blues-man Robert Johnson. The history of music is littered with tragic figures and none are more tragic than Robert Johnson’s story that will live for eternity. Legend has it that he sold his soul to the devil at the crossroads for his story to live for all times.

Robert Leroy Johnson is among the most famous of all the Delta Blues musicians whose landmark recordings from 1936-37 display a remarkable combination of singing, guitar skills, and tremendous songwriting talent that have influenced generations of musicians. This amazing, ultimate star-crossed musical genius laid the early framework of rock and roll decades before that term was even imagined.

Not much is known about Johnson’s shadowy, poorly documented life and violent death at age 27, which is one of the reason that have given rise to much legend. With that being true the music and legacy he left behind is irrefutable and unparalleled.

He is considered by some to be the “Grandfather of Rock-and-Roll” for his vocal phrasing, original songs, and guitar style. His music has influenced a range of musicians, including Led Zeppelin, Bob Dylan, Jimi Hendrix, The Allman Brothers Band, The Rolling Stones, The White Stripes, The Black Keys, Peter Gabriel, Neil Young, and Warren Zevon. Eric Clapton called Johnson “the most important blues musician who ever lived.

Johnson was conceived in an extramarital affair and born in Hazelhurst, Miss. in 1911. Most of his biographical details have been lost to history, but what's known is that he learned guitar in his teens, got married, and had a girl who died in childbirth. The death led Johnson to throw himself even deeper into his music. He fled to Robinsonville, Miss. where he was influenced by early blues legends Son House and Willie Brown.

By 1933, Johnson remarried and began playing the guitar professionally. He once related the tale of selling his soul to the devil at a crossroads in exchange for his talent. Johnson tells the story in his song "Crossroads Blues." Playing for tips up and down the Delta, Johnson gained in popularity. But as he grew in fame and was known as a noted philanderer. He would also walk off in the middle of performances and not be seen or heard from for weeks at a time.

In 1936, he was put in contact with Columbia Records talent scout Ernie Oertle, who took him to San Antonio, Tex. where Johnson recorded classics including "Sweet Home Chicago," "There's A Hell Hound On My Trail," and his signature "Terraplane Blues."

Johnson began to tour nationally and became known for his unique voice and halting guitar riffs. But in 1938, as the legend goes, the devil caught up with him. While playing at a juke joint, he flirted with a woman whose husband became jealous. The man laced Johnson's whiskey with strychnine that caused him to become violently ill playing until he collapsed. He died four days later at age 27, although conflicting stories say he survived the poisoning and died later of pneumonia.

There are at least two Mississippi grave-sites that bear his name leaving questions about his passing and burial. "The reason that it's so powerful a story is because it is the outline of the tragic side of the music that followed," said music journalist Alan Light. "Some knew him as a musician, others by legend, but his shadow touches everyone who came out of that time and place."

Black History is American History and I believe our story is the greatest story ever-told. And that's my Thought Provoking Perspective...

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Harlem - The Black Mecca

This is the next installment of the “Brownsville Series”. If you have not been following or traveling along with me on the “Chitlin Circuit”, which is not to be confused with those entertainment venues where African American artist were only allowed to perform. The “Brownsville Series” is my way of resurrecting the memory of those areas designated for Blacks during the era of segregation, you know across the tracks – the other side of town. All of the above mentioned terms are fittingly proper for the place I am about to explore - Harlem USA. A cultural icon I will refer to as the Black Mecca.

Let me first pay homage, with great pride, to those noted theaters on the Chitlin Circuit. For those who are not familiar with the term “Chitlin Circuit”. It was the collective name given to the string of performance venues throughout the eastern and southern United States that were safe, acceptable, and in most cases the only places Negro musicians, comedians, and other entertainers could perform during the era of racial segregation. It was in these venues where the ghost of the greats crafted their skills laying the foundation for the great performers we enjoy today.

The most popular of these venues were the Cotton Club, Wilt’s Small Paradise, the famed Apollo Theater, Robert’s Show Lounge, Club Delisa, the Regal Theatre in Chicago, the Howard Theater in Washington, DC, the Uptown Theater in Philadelphia, the Royal Theater in Baltimore, the Fox Theater in Detroit, the Victory Grill in Austin, Texas, the Hippodrome Theater in Richmond, and the Ritz Theater in Jacksonville, Florida. It is with great pride that I honor the memory and contributions of those venues.

Now on to Harlem, once referred to as the “Capital of Black America”; it began as a European settlement established in July 1639 in what was then known as New Harlem. It was formalized in 1658, when the English took control of the colony changing the hamlets name to Harlem. At that time, it was merely a small agricultural town just outside of New York City. The name Harlem was a synonym for elegant living through a good part of the nineteenth century. For example, the estate of Alexander Hamilton was located in Harlem.

In 1893, the Harlem Monthly Magazine wrote that “it is evident to the most superficial observer that the centre of fashion, wealth, culture, and intelligence, must, in the near future, be found in the ancient and honorable village of Harlem.” Even then Harlem seemed ordained to be the center of cultural significance but it was not until the mass migration of blacks in 1904 that it began to flourish as a predominantly Black enclave. It was because of a real estate crash that caused worsening conditions for blacks throughout New York City. Prompting Philip Payton, owner of the Afro-American Realty Company, to almost single-handedly created the migration of blacks from their previous neighborhoods establishing Black Harlem or Uptown as it came to be known.

Then black churches began to move uptown. St. Philip's Episcopal Church, for one, purchased a block of buildings on West 135th Street to rent to members of its congregation. Black Harlem has always been a religious community with over 400 churches of every faith becoming very influential because of their large congregations and wealth as a result of its extensive real estate holdings. However, many as do today, operated what is known as storefronts from an empty store, a building’s basement or a converted brownstone townhouse.

At the same time blacks were migrating to northern industrial cities fueled by their desire to leave behind the Jim Crow South seeking better jobs and education for their children. Jobs were abundant and many blacks were able to obtain work because expanding industries recruited black laborers to fill new jobs as a result of the war effort. Another reason was to escape a culture of lynching and violence.

By 1920 in a mere twenty years, Harlem became the center of a flowering black culture that became known as the Harlem Renaissance. This period witnessed the greatest collection of artistic production creating the sound and entertainment of the “Roaring Twenties”, but blacks were sometimes excluded from viewing what their peers were creating. Some jazz venues, including the famed Cotton Club, where Duke Ellington played or Connie’s Inn were restricted to whites only, although some uptown clubs were integrated.

The most famous venue in Harlem, and world renowned, was the Apollo Theater that opened on 125th Street on January 26, 1934 in what was a burlesque house. Best known for its “Amateur Night at the Apollo” that continues to this very day. The Apollo was a proving ground, of sorts; if you could make it there you could make it anywhere. Every black performer or artist was ordained by its audience in one way or another. I don’t have enough space to list all of the greats that graced the Apollo stage. If they were successful, they played the Apollo Theater. Another famous spot was the Savoy Ballroom, on Lenox Avenue, was a renowned venue for swing dancing immortalized in a popular song of the era "Stompin' at the Savoy".

During the 1920’s and 1930’s, between Lenox and Seventh Avenues in central Harlem had over 125 entertainment places operating. Such as speakeasies, cellars, lounges, cafes, taverns, supper clubs, rib joints, theaters, dance halls, and bars and grills. Throughout the twentieth century, particularly during the “Harlem Renaissance”, Harlem served as the home and key inspiration to generations of novelists, poets, musicians, and actors. It was because of the city’s pace, the blend of their backgrounds, the difficulties associated with living in Harlem and their experiences that found expression in theater, fiction, and music, among other art forms.

Some of the luminaries produced by Harlem were Paul Robeson, Claude McKay, and Langston Hughes just to name a few. Though Harlem musicians and writers are particularly well remembered, the community has also hosted numerous actors and theater companies, including the New Heritage Repertory Theater, National Black Theater, Lafayette Players, Harlem Suitcase Theater, The Negro Playwrights, American Negro Theater, and the Rose McClendon Players. Arthur Mitchell, a former dancer with the New York City Ballet, established Dance Theatre of Harlem as a school and company for classical ballet and theater training in the late 1960’s.

Harlem is also home to notable contemporary artists such as the Harlem Boys Choir, a famous touring choir and education program for young boys, most of whom are black. There is also a Girls’ Choir of Harlem and both companies have toured both nationally and internationally. Harlem is also credited with the creation of Hip-Hop and many hip-hop dances associated with this genre. It is also known for producing Rappers such as Kurtis Blow and Hip Hop Mogul P. Diddy.

After the romantic era of the Harlem Renaissance, Harlem ceased to be home to a majority of NYC's blacks and the character of the community changed in the years after the war, as middle-class blacks left for the outer boroughs and suburbs. With the increase in a poor population, it was also a time when the neighborhood began to deteriorate, and some of the storied traditions of the Harlem Renaissance were driven by poverty, crime, or other social ills.

TO BE CONTINUED…

Just a Season
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Once called the "Capital of Black America" – Pt. 1

This is the third article or installment in a series that I’m calling “Brownsville”. If you have not been following or traveling along with me on the “Chitlin Circuit” not to be confused with those entertainment venues where African American artist were only allowed to perform.

The “Brownsville Series” is my way of resurrecting the memory of those areas designated for Blacks during the era of segregation, you know across the tracks – the other side of town. All of the above mentioned terms are fittingly proper for the place I am about to explore - Harlem USA - a cultural icon once referred to as the “Capital of Black America”.

First, let me pay homage with great pride to the noted theaters on the Chitlin Circuit. For those who are not familiar with the term “Chitlin Circuit”. It was the collective name given to the string of performance venues throughout the eastern and southern United States that were safe, acceptable, and in most cases the only places could perform during the era of racial segregation. It was in these venues where the ghost of the greats crafted their skills laying the foundation for the great performers we enjoy today.

The most popular of these venues were the Cotton Club, Wilt’s Small Paradise and the famed Apollo Theater in New York, Robert’s Show Lounge, Club Delisa, and the Regal Theatre in Chicago, the Howard Theater in Washington, DC, the Uptown Theater in Philadelphia, the Royal Theater in Baltimore, the Fox Theater in Detroit, the Victory Grill in Austin, Texas, the Hippodrome Theater in Richmond, Virginia, and the Ritz Theater in Jacksonville, Florida. It is with great pride that I pay homage to their memory and contributions.

Harlem once referred to as the Capital of Black America began as a European settlement established in July 1639 in what was then known as New Harlem. It was formalized in 1658, when the English took control of the colony changing the hamlets to Harlem. At that time, it was merely a small agricultural town just outside of New York City. The name Harlem was a synonym for elegant living through a good part of the nineteenth century. For example, the estate of Alexander Hamilton was located in Harlem.

In 1893, the Harlem Monthly Magazine wrote that “it is evident to the most superficial observer that the centre of fashion, wealth, culture, and intelligence, must, in the near future, be found in the ancient and honorable village of Harlem.” Even then Harlem seemed ordained to be the center of cultural significance but it was not until the mass migration of blacks in 1904 that it began to flourish as a predominantly Black enclave. It was because of a real estate crash that caused worsening conditions for blacks throughout New York City. Prompting Philip Payton, owner of the Afro-American Realty Company, who almost single-handedly created the migration of blacks from their previous neighborhoods establishing Black Harlem or Uptown as it came to be known.

Then black churches began to move uptown. St. Philip's Episcopal Church, for one, purchased a block of buildings on West 135th Street to rent to members of its congregation. Black Harlem has always been a religious community with over 400 churches of every faith becoming very influential because of their large congregations and wealth as a result of its extensive real estate holdings. However, many as do today, operated what is known as storefronts from an empty store, a building’s basement or a converted brownstone townhouse.

At the same time blacks were migrating to northern industrial cities fueled by their desire to leave behind the Jim Crow South seeking better jobs and education for their children. Jobs were abundant and many blacks were able to obtain work because expanding industries recruited black laborers to fill new jobs as a result of the war effort. Another reason was to escape a culture of lynching and violence.

By 1920 in a mere twenty years, Harlem became the center of a flowering black culture that became known as the Harlem Renaissance. This was the greatest collection of artistic production creating the sound and entertainment of the “Roaring Twenties”, but blacks were sometimes excluded from viewing what their peers were creating. Some jazz venues, including the famed Cotton Club, where Duke Ellington played or Connie’s Inn were restricted to whites only, although some uptown clubs were integrated.

The most famous venue in Harlem, and world renowned, was the Apollo Theater that opened on 125th Street on January 26, 1934 in what was a burlesque house. Best known for its “Amateur Night at the Apollo” that continues to this very day. The Apollo was a proving ground, of sorts; if you could make it there you could make it anywhere. Every black performer or artist was ordained by its audience in one way or another. I don’t have enough space to list all of the greats that graced the Apollo stage. If they were successful, they played the Apollo Theater. Another famous spot was the Savoy Ballroom, on Lenox Avenue, was a renowned venue for swing dancing immortalized in a popular song of the era "Stompin' at the Savoy".

During the 1920’s and 1930’s, between Lenox and Seventh Avenues in central Harlem, over 125 entertainment places operated. Such as speakeasies, cellars, lounges, cafes, taverns, supper clubs, rib joints, theaters, dance halls, and bars and grills. Throughout the twentieth century, particularly during the “Harlem Renaissance”, Harlem served as the home and key inspiration to generations of novelists, poets, musicians, and actors. It was because of the city’s pace, the blend of their backgrounds, the difficulties associated with living in Harlem and their experiences that found expression in theater, fiction, and music, among other art forms.

Some of the luminaries produced by Harlem were Paul Robeson, Claude McKay, and Langston Hughes just to name a few. Though Harlem musicians and writers are particularly well remembered, the community has also hosted numerous actors and theater companies, including the New Heritage Repertory Theater, National Black Theater, Lafayette Players, Harlem Suitcase Theater, The Negro Playwrights, American Negro Theater, and the Rose McClendon Players. Arthur Mitchell, a former dancer with the New York City Ballet, established Dance Theatre of Harlem as a school and company for classical ballet and theater training in the late 1960s.

Harlem is also home to notable contemporary artists such as the Harlem Boys Choir, a famous touring choir and education program for young boys, most of whom are black. There is also a Girls Choir of Harlem and both companies have toured nationally and internationally. Harlem is also credited with the creation of Hip-Hop and many hip-hop dances associated with this genre. It is also known for producing Rappers such as Kurtis Blow and Hip Hop Mogul P. Diddy.

After the romantic era of the Harlem Renaissance, Harlem ceased to be home to a majority of NYC's blacks and the character of the community changed in the years after the war, as middle-class blacks left for the outer boroughs and suburbs. With the increase in a poor population, it was also a time when the neighborhood began to deteriorate, and some of the storied traditions of the Harlem Renaissance were driven by poverty, crime, or other social ills.

TO BE CONTINUED…

Just a Season